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c. 1445 – May 17, 1510. Italian painter.

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Sir Augustus Wall Callcott
View of the Grote Kerk,Rotterdam,with Figures and Boats in the Foreground

ID: 51828

Sir Augustus Wall Callcott View of the Grote Kerk,Rotterdam,with Figures and Boats in the Foreground
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Sir Augustus Wall Callcott View of the Grote Kerk,Rotterdam,with Figures and Boats in the Foreground


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Sir Augustus Wall Callcott

1779-1844   Related Paintings of Sir Augustus Wall Callcott :. | Portrait of Jeanne Hebuterne | portratt av fraken anna heyman | Savonneri | Miss Anne Ford | Details of Martyrdom of St.Matthew |
Related Artists:
Bartolomeo Altomonte
Bartolomeo Altomonte, also known as Bartholomäus Hohenberg (24 February 1694 - 11 November 1783), was an Austrian baroque painter who specialized in large scale frescoes. He was the son of Martino Altomonte, also a painter.
Jacob Toorenvliet
Dutch Baroque Era Painter , Leiden circa 1635-1719
Karl Hagemeister
German, 1848-1933,German painter. He studied from 1871 at the Kunstschule in Weimar under Friedrich Preller, who introduced him to the principles of classical landscape painting. In 1873 he began to develop a more modern approach when he met Carl Schuch at the Hintersee, near Berchtesgaden; he immediately became his pupil and later wrote Schuch's biography. Schuch introduced Hagemeister to the Leibl circle (see LEIBL, WILHELM). He travelled to the Netherlands and Belgium (1873-4), Italy (1876) and France (1884-5), often accompanying Schuch and, in the early journeys, Wilhelm Trebner. His approach to landscape changed from classical Naturalism to 'pure painting', a more formalist approach in which purely pictorial qualities were given priority over naturalistic representation, as in Lake Shore (c. 1900; Schweinfurt, Samml. Schefer). His brushwork became broader, his depiction of objects became increasingly summary, and his colours lighter and cooler. Absorbing the influence of Japanese art through the interpretations of the French Impressionists, and following trends in international Art Nouveau, Hagemeister developed an individual variant of Jugendstil. His pictures were composed in accordance with decorative rather than naturalistic principles and became primarily ornamental, as in White Poppy






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